Monday, July 9, 2018

Was Ozzy Osbourne Arrested For Peeing on the Alamo?

   This is one of the top questions asked of the curators of the Alamo: Was Rock Star Ozzy Osbourne arrested for peeing on the Alamo?  Like any story, there are some facts that are mixed with myth and hype to create a wonderful tale.

   The facts:  On February 19, 1982, prior to a concert in San Antonio, Ozzy Osbourne stopped to urinate on his way back to his hotel room after some extensive partying. Unfortunately, for Ozzy, he stopped to pee in Alamo Plaza on the Cenotaph. The Cenotaph is a monument erected in 1939 to honor those who died in the Battle of the Alamo.

Where Ozzy Osbourne Actually Peed. The Alamo Cenotaph

    Not that urinating on a War Memorial is much better than the Alamo itself.  It just makes for a different headline. Even his son Jack admits as much in this podcast interview on the subject

   The Rock Star was arrested for Public Intoxication and released on a $40 bond in time to play his show. However, he was banned from ever performing in San Antonio again. The incident unleashed the incorrect story that Ozzy had been arrested for peeing on the actually Alamo, the shrine of Texas Liberty.

   Over the years, the legend has grown despite the fact that 10 years after the event, Ozzy made a $10,000 donation to the caretakers of the Alamo (the Daughter of the Texas Republic) and made an official apology.  The ban was lifted after the apology and he was allowed to play two show at the Freeman Coliseum

"We all have done things in our lives that we regret. I am deeply honored that the people of San Antonio have found it in their hearts to have me back. I hope that this donation will show that I have grown up.”     Ozzy Osbourne  1992

   In 2015,  Ozzy revisited the Alamo for a show on the History Channel and apologized once again for his transgression.


Friday, May 25, 2018

Gutzon Borglum and Mount Rushmore - The San Antonio Connection

One of the most intriguing artists to pass through San Antonio was noted sculptor Gutzon Borglum. Borglum came to the city in 1925 to create a memorial for the Trail Drivers Museum. He immediately won the respect of the people of Texas, who treated him as the ultimate celebrity when he toured the state with a model of his creation. Borglum stayed in the city for many years, working out of a studio in Brackenridge Park. The studio, a former water works facility, was modified by the artist and was the site of some of his most famous creations. It was here that Borglum created his famous statue of Woodrow Wilson for the Polish government.
Borglum was a man of many contradictions. He was an avowed anti-Semite, and often spoke about the "Jewish Problem." Often he preached against the so-called Jewish Establishment and their control of the banking industry. However, many of his patrons, financial backers, and close friends were Jewish. Supreme Court Justice Felix Frankfurter, like many of his contemporaries, accepted the self-proclaimed anti-Semite as a valued friend who was uncompromising in his beliefs. When Hitler began carrying out a plan to exterminate Jewish citizens, Borglum, the man of many contradictions, became an outspoken opponent of the F├╝hrer. When Hitler invaded Poland, one of his first acts was to destroy Borglum's statue of Woodrow Wilson.
The artist took an active role in the politics of the day. He allowed Czechoslovakian rebels to train on his Connecticut estate during World War I. He investigated the aircraft industry for corruption during the First World War. He was an advisor to presidents and chiefs of state. He became a powerful member of the Ku Klux Klan in a time when the racist organization was trying to mainstream their cause.

When Borglum arrived in San Antonio, he had just been fired by the group who had commissioned him to create a monument in Stone Mountain, Georgia, honoring Confederate heroes. He left Georgia a fugitive for destroying a vital model of the uncompleted sculpture. In San Antonio, he quickly set up shop at Brackenridge Park in his Mill Race Studio. After the creation of the Trail Drivers monument, he left for South Dakota to create his most famous work, a giant carving of four ex-presidents on Mount Rushmore. It was in his Brackenridge Park studio that Borglum designed his greatest work of art. 
Borglum left a large legacy. His art is displayed in the White House, the New York Metropolitan Museum of Art, in Los Angeles, Detroit, Newark, Chicago, and San Antonio. He designed the flame in the Statue of Liberty's torch. He was the head of the Texas Beautification Plan and proposed ideas, such as a Corpus Christi waterfront, that were years ahead of their time.    As for San Antonio, his contributions to the city are mostly forgotten. Throughout the carving of Mount Rushmore, he wintered in San Antonio while working on his other commissions. He left for California in the 1930s after losing out on the Alamo Cenotaph commission.

His studio was turned over to the San Antonio Art League, who used it for young artists for many years. Some of his greatest pieces were created there. After many years, the building was abandoned. It sat in quiet ruins for many years, adjacent to the Brackenridge Golf Course parking lot.  It was renovated a few years ago and is now available for for events. 

Sunday, April 8, 2018

Seven Ways HemisFair Changed San Antonio Forever

“Until Hemisfair, we were a good city, a quiet city, with not much vision or thrust for the future”
 William Sinkin   First President of HemisFair ’68

    50 years ago, in 1968, San Antonio hosted the World’s Fair, dubbed HemisFair 68. The site of the fair is now HemisFair Park in downtown on the corner of Alamo St, Market St and Cesar Chavez Blvd, marked by the Convention Center and the Tower of the Americas, both constructed for the event.
   While the city has discussed numerous proposals for the site over the past 50 years, one thing cannot be denied, HemisFair forever changed the path of the city. 

Post Card from Opening day of the Fair

1. It moved San Antonio into the ranks of America’s top cities.

   In 1920, San Antonio was the largest city in Texas. But after the depression, the city hit a prolonged period of stagnant growth. In the 1950s, while the rest of the nation was basking in the glow of post war growth, San Antonio slowly settled behind Dallas and Houston in population. Worse yet, a walk thru downtown San Antonio in the early 1960s, looked much like 1930s San Antonio. 
   The idea behind HemisFair was to kick start the city’s growth and propel the city out of its economic slumber. 
   Perhaps the most telling story of the city’s malaise is told by Red McCombs, who served on the fair’s executive committee. He was in charge of getting major companies to sponsor and build pavilions for the fair. They needed twenty to have the fair certified but could only sign 3. According to McCombs, the biggest problem was that “major corporations in 1966 thought of San Antonio as being something maybe like Laredo or maybe like Abilene.”
   With personal appeals from President Lyndon Johnson, HemisFair was able to secure enough corporate partners to have the fair certified.
   Today, San Antonio has over a 1.4 million people and is the 7th largest city in the US and the second largest in Texas.  

Post Card showing the RiverWalk extension into HemisFair and the then named HemisFair Theatre.  Renamed the Lila Cockerel Theatre, it still stands today as part of the Convention Center 

2. It saved the River Walk.

    In 1960, the River Walk was quite different that it is today. The beautiful Venice like attraction that architect Robert Hugman envisioned during the 1930s was built by the WPA, but it became anything but an attraction. Most buildings used the River Walk as an alley, storing trash. Casa Rio was the only restaurant on the river and most thought the owner was crazy to open there. The River Walk was so rough that the military had made it off limits to military personal.
Part of the HemisFair plan was to extend the River Walk into the fairground, stopping in front of the Lila Cockrell theatre and what is now Convention Center. That extension along with over 6 million Hemisfair visitors helped remake the image of the River Walk.
Today, the River Walk is the second most popular tourist destination in Texas.

Post Card from the Fair

3. It made San Antonio into a tourist destination.

   From the start of the Depression until the mid-1960s not a single new hotel was built in San Antonio. When San Antonio was awarded the fair, it set off a slew of hotel construction, including the Hilton Palacio Del Rio and the conversion of St. Mary’s College old downtown campus into La Mansion.  Millions streamed into the city to experience that fair and discovered San Antonio for the first time, making into a tourist destination for the first time. 
   Today, San Antonio host 7 million visitors annually and has the state’s top tourist attraction, the Alamo. 

Post Card depicting the The USA Pavilion for HemisFair. Today it is the Judge John Wood Courthouse 

4. It gave the city a convention center.

   When designing the fair, Congressman Henry B. Gonzales made sure that federal urban renewal funds used for the fair included permanent buildings that could be used after HemisFair closed. The HemisFair Exhibit Hall became San Antonio’s first Convention Center. Attached to the Exhibit Hall was the HemisFair Arena, which later attracted San Antonio’s first major league team, the Spurs. 
   The Convention Center has been expanded many times and the Arena has been replaced by more meeting space, but the HemisFair Theatre remains, now named the Lila Cockrell Theatre, after the city’s first female mayor. If you look above the west facade of the theatre, you can see on original HemisFair mural, “Confluence of Civilizations in the Americas by Mexican artist Juan O’Gourman.
   Today, the Convention Center is one of the 15 largest in the US, hosting 300 events a year with over 750,000 annual delegates. 

Post Card depicting the Tower of the Americas

5. It transformed our skyline.

   By far, the most recognizable structure in the city’s skyline is the Tower of the Americas. Designed by O’Neil Ford, the tower was the centerpiece of the fair. The tophouse was actually built on the ground and raised on the shaft.  The raising of the top house to its final resting stop became a bit of a civic event.
    The observation deck and the revolving restaurant are still popular San Antonio attractions. Sadly, after the tower was opened and became the city’s tallest structure, the observation deck atop the 1929 Tower Life Building closed to the public. 
 Today, at 750 Feet, the Tower of the Americas is still the largest structure in San Antonio. It is 145 feet taller than Seattle’s Space Needle and 187 Feet taller than Dallas’ Reunion Tower.  

Post Card depicting the nation of Mexico's Pavilion for Hemisfair. The pavilion is used today as  Universidad Nacional Autonoma De Mexico - San Antonio Campus and the Mexican Cultural Institute

6. It changed the political landscape.

  The city’s political landscape in the 1960’s was mainly run by white businessmen. But the undertaking of a World’s Fair took efforts from the entire community and opened the doors of political opportunity.
   1968 was a tumultuous year in the US for race relations. In San Antonio, city leaders knew it would be disastrous to invite people from all over the world, of a myriad of ethnicities, to the city only to have them denied entrance to restaurants and hotels. They made sure San Antonio became an open city. It was one of the few places in the US to escape the violence of 1968.
   “Until HemisFair came along, Jessica and I didn’t know a single Latino in San Antonio. HemisFair changed all that”

Henry E. Catto Jr.   San Antonian and Former Ambassador to Great Britain

Post Card depicting one of the original buildings in the neighborhood where HemisFair was built. Originally it was the Schultze Store. For the Fair it was used as the Humble Oil Pavilion. The building still stands today on the West Entrance to the park

7. It wiped a Polish neighborhood off the map.

   HemisFair ’68 was built on a 92 acre site that was home to one of San Antonio’s oldest neighborhoods. The demolition over 100 buildings including St. Michaels Church, the United State’s third oldest Polish Catholic church, was not without controversy. The San Antonio Conservation Society submitted a proposal to save 129 historic structures, some dating back to the 1800s, and have them incorporated into the fair. In the end, only 24 structures were saved, many which are still in the park.

    Today, there is a proposal to once again redevelop the HemisFair site to include apartments and town homes, recreating the downtown neighborhood. 

    Visit the old neighborhood here in this photo montage 

St. Michaels Catholic Church - one of just many buildings torn down for Hemisfair

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Friday, March 23, 2018

Yes, Santa Anna Did Invent Chewing Gum

   Yes, that Santa Anna. Battle of the Alamo Santa Anna.  His time in San Antonio is well documented. What is lesser known is his role in the invention of chewing gum. 
After his surrender in San Jacinto, Antonio Lopez de Santa Anna lived in a variety of place including Cuba and Staten Island, New York.
According to the well-researched book, Chicle, The Chewing Gum of the Americas, From the Ancient Maya to William Wrigley by Jennifer P. Mathews, Santa Anna was trying to find a way to fund a return to the presidency of Mexico while living in New York.  Santa Anna had a supply of chicle from Vera Cruz that he chewed for pleasure.  Chicle is produced by the sapodilla tree and used for decades by indians as a chewable snack. With the assistance of amateur inventor Thomas Adams, Santa Anna tried to create a valuable substitute for rubber using chicle. 

   When their attempt at fortune failed, Santa Anna returned to Mexico, penniless. Adams, left with a large supply of chicle, cut it into bight size pieces and sold it as candy. Adams called his treat, Chicklets and eventually made his fortune. The rest is history.

Sunday, March 4, 2018

The First Movie to Win the Oscar is . . . from San Antonio

The first movie to win the Oscar for Best Picture has its roots in the Alamo City. The silent World War I epic Wings was filmed in San Antonio, using its many military facilities as backdrops. Kelly and Brooks Fields were used as cadet training sites. The Ft. Sam Houston gate near the Quadrangle was used in the opening shot, and Camp Stanley acted as St. Mihiel, France, where the 2nd Infantry fought.
The film premiered in San Antonio on May 19, 1927, at the Texas Theatre. Proceeds from the event ($5,500) were given to a memorial fund for the 2nd Infantry Division, which lost 25,000 troops in World War I. Actors Buddy Rogers, Clara Bow, Richard Arlen, and Jobyna Ralston attended the premier of their film, as did many actors from the movie Rough Riders, which was filming in San Antonio at the time.

The Texas Theatre, in it's former glory before it was partially torn down. Only the facade exists today on Houston Street. 

The movie also features the screen debut of Gary Cooper who was on screen for a total of 102 seconds. Cooper received such a reaction from fans who wrote the studio asking about the tall actor that his fate as a star was born.

Gary Cooper (right) making his acting debut

The premiere ended on a spectacular note, when moviegoers left the theatre and were greeted by newsboys who were selling papers announcing that former Brooks Field Cadet Charles Lindbergh was preparing to leave for Paris on his solo transatlantic flight.

View The Trailer